Skyfall

Skyfall is perhaps the most introspective of all James Bond films. It raises questions over the role of spies in a post-Cold War world. Unlike Casino Royale and Quantam of Solace, much of Skyfall takes place within Britain. The film reintroduces characters such as Q and at times feels like as much of a story about M as it is about Bond himself.

Skyfall opens with the frantic pace Bond films are renowned for. The opening chase scene through and across the markets of Istanbul is as thrilling as ever. The movie shifts from London to Macau before coming back to Britain. The movie maintains a consistent tone, with a gray colour palate dominating throughout the length of the film. It feels appropriate as the movies themes focus on the ageing Bond and his growing vulnerabilities. Skyfall feels as serious as Quantam of Solace but flows at a much slower pace.

The main villain in the film, played by Javier Bardem, isn't even introduced until the halfway mark of the film. Bardem plays an intense villain, dominating the screen as he interrogates Bond on a deserted island off the coast of Macau. A villain of Bardem's stature was lacking in the last two Bond films, and Bardem more than compensates for the long absence.

The domestic focus of the film works to introduce Mallory, played by Ralph Fiennes, who acts as Chair of the Parliamentary Intelligence and Security Committee. Ralph Fiennes provides intrigue and tension as he both challenges the role of MI6 and works to support its work.

Skyfall brings an appropriate amount of introspection to the Bond films, allowing time to reflect on Bond's past and future, while continuing to provide a provoking and thrilling experience.

9/10